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They exaggerate their case for why they’d make ideal companions. All the virtual world is a stage (too), the perfect place to ignore what we see in the mirror.
Once upon a time these types of encounters were the marked territory of contrived rom-com cinema, but the veils and deceptions of the Internet have made everyone with a laptop a potential author of such yarns.
ODC Theater Artist-in-Residence Christopher Winslow’s score spans genres deftly, culling elements of rock, salsa, reggae, sea shanties, R&B and more into a predominately jazzy/cabaret motif.
Taken together, it plays like the soundtrack a Woody Allen movie (hinted at when Brandon names “Annie Hall” as his favorite film), as do the script and lyrics from the pen of Gavin Geoffrey Dillard.
The lyricist’s attempt to be edgy and comical with the insertion cuss words backfired due to the fact that they weren’t actually said.